Drama and Theatre Studies, University of Warwick
Thesis title:
Hannah’s approach will combine the research areas of passion, patronage, power, and politics through a focus on the private theatre at Woburn Abbey in the early nineteenth century. In doing so, she will investigate the politics of female aristocratic patronage and examine the interplay between the actual theatre and the theatricality and performance of aristocracy beyond the immediate space of the threatre.
Bradshaw, Hannah. "'She will wear the britsch': Masculinity and the Iconography of Prince Albert." Critical Studies in Men's Fashion 7, no. 1&2 (2020): 199-222.
"'A Most Alarming Swelling!' Punch, swells, and male sartorial display in mid-nineteenth-century Britain." Beau Brummel and New Masculinities, The Association of Dress Historians, University of the Arts London, London, 4-5 April 2024.
'"'She will wear the britsch': Masculinity and Monarchy in the Portraits of Prince Albert by Franz Xaver Winterhalter." Millennial Masculinities: Queers, Pimp Daddies and Lumbersexuals, Adam Geczy and Vicki Karaminas, Massey University, Wellington, December 2019.