This practice research PhD will produce a new form of interdisciplinary, feminist Live Art that interrogates female fury provoked by #MeToo experiences. Amidst post-pandemic emotional exhaustion and desensitisation from seemingly never-ending horror stories of misogynist abuse, this practice will embody and verbalise different forms of rage to re-galvanise the performer and spectator’s anger, which Rebecca Traister declares has the ‘explosive power to upturn the very systems that have sought to contain it’ (2019: 44). Such explosive power will arise through innovative intermedial performances marrying screen horror’s potential to ‘expose the underpinnings of the social, political and philosophical othering of women’ (Harrington 2017: i) and Live Art’s capacity to transgressively explore transformative anger (Kershaw 2009: 20)