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Molly Harrabin

Languages and Literature, University of Warwick

Thesis title:

Representations of the 'Other' in Weimar Cinema (1918-1933)

Building upon my MA thesis, I am examining the way in which Weimar cinema (1918-1933) represents individuals who are marginalised by the dominant social discourses and seen as a threat to the national order during the Weimar Republic and beyond. Framed by the German defeat in World War One and Hitler’s appointment as Chancellor in 1933, the Weimar Republic was always a politically unstable entity. Based on Elsaesser’s (2000) study of the ‘historical imaginary’, I argue that the imaginaries depicted in Weimar cinema were therefore contested. Weimar was founded on optimistic and liberal values; however, even filmmakers invested in opening up society, frequently produced images of the ‘other’ that seem to undercut such values. My project will therefore trace some of the internal fault-lines that run even through liberal Weimar culture and point forward to its demise, challenging the commonly held view of a ‘golden era’. 



Research Area

  • German, including Dutch and Yiddish
  • Languages and Literature

Publications

Review of Anti-Heimat Cinema: The Jewish Invention of the German Landscape (Ofer Ashkenazi),  Focus on German Studies, 28 (2021), 193-196, <https://journals.uc.edu/index.php/fogs/article/view/4414/3328>

Public Engagement & Impact

I am the founder and co-editor of The Weimar Film Network, which provides a platform for discussions on the cinema of the Weimar Republic. The Network posts articles, blog posts and reviews by students and academics, encouraging a sense of community within Weimar Film Studies. We also have a resource section that would be useful for anyone teaching, researching or is just generally interested in Weimar Cinema. You can find out more, including how to contribute to the network, via the website or on Twitter. Please send all enquiries, including about potential collaboration to weimarfilmnetwork@warwick.ac.uk.

Alongside Dr. Ian Roberts, I co-organise the Weimar 100 Project, which marks the centenaries of key films from the period 1918-1933 in German history. A key aim of the project is to make Weimar film more accessible to a modern audience. Each year between 2019 and 2033, a public screening and talk will be held, showcasing classic and obscure films from the years of the Weimar Republic. The most recent event (2020) marked the centenary of the release of Robert Wiene's Das Cabinet des Dr. Caligari (1920) and included an online screening and talk about the contested readings of the film.


Other Research Interests

  • Weimar Cinema and Cultural History
  • Film in the Third Reich
  • Antisemitism in Germany

Memberships

British Association for Film, Television, and Screen Studies

German Screen Studies Network

Women in German Studies

U.K. Association for German Studies

Biography

I achieved a first class undergraduate degree in German Studies at the University of Warwick, in which I studied a wide range of language and cultural modules, ranging from 1790s Germany up to the present-day. In my final year, I completed a dissertation entitled 'From Lola to Lulu, From Freder to Rath: Gender and Sexuality in the Weimar Republic'. My undergraduate degree also included a stint in Munich, where I worked as a British Council Language Assistant in a Fachoberschule. I then completed my Postgraduate Certificate in Secondary Education at the University of Manchester, teaching German up to A Level and French to Key Stage 3, before returning to Warwick to complete my Masters. My Masters research examined representations of 'the Jew' in Weimar cinema, observing how the films indicated latent antisemitism bubbling under the surface of Weimar society. My thesis was supervised by Dr. Ian Roberts and Dr. Christine Achinger.