My research explores creative responses to prehistoric and ancient monuments between 1900-1950. By using a ‘ground up’ research approach which emphasises the importance of gaining an insight into the cultural and historic status of each site and how this was manifested during the first half of the twentieth century, this project offers a localised orientation point from which to consider landscapes in early twentieth-century literature and will ask what modern and modernist literature looks like from the perspective of these ancient spaces. By selecting five British and Irish monuments and outlining their topographical appearance as well as how they were interacted with both locally and publicly, my research offers a physical starting point from which to consider why ancient sites appealed so strongly to the early twentieth-century imagination. By exploring how modern writers approached specific monuments, my research explores how these sites often became symbols of ‘universal’ myths whilst remaining distinctly local landmarks. 

My research considers a diverse range of local sources including parish records, archaeological reports, folklore collections, local history journals and newspaper reports – building a survey of voices responding to each site in turn and tracing their cultural status and how this changed over the early twentieth century. This local study provides the background against which to consider the diverse ways in which they were appropriated and adopted by writers as emblems of distinctly modern ideas. This project offers a unique perspective from which to consider the value of local history in interpreting representations of ancient spaces whilst staging a dialogue between localised cultural history and early twentieth-century literary criticism. 

I am particularly interested in the literary representations of pre-historic and ancinet sites by a number of twentieth century writers including: Edith Olivier, John Cowper Powys and Patrick Kavanagh as they are figures who moved between the experimental, and often modernist, artistic circles of the early twentieth century and distinctly local communities. My work aims to explore how these writers act as mediators between these two  spheres and the implications of this when considered alongside critical discussions about literary modernism.