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Roseanna Smith

Design, Birmingham City University

Thesis title:

CDA: Common printed things: intersections of art and industry, the Coalbrookdale Collection, 1850�1930

Roseanna is an early-career researcher undertaking a collaborative PhD project, funded by Midlands4Cities, which investigates the Coalbrookdale Collection of illustrated Victorian trade catalogues at the Ironbridge Gorge Museum Trust in Shropshire. 

The project aims to illuminate a previously under-researched period of the Coalbrookdale Company, who played a pivotal role in the Industrial Revolution in Britain before focusing their business on decorative ironware during the late nineteenth century. The trade catalogues feature hundreds of ornate illustrations of decorative ironware products sold by the Coalbrookdale Company, from small items for the home to large-scale civic items like fountains, railings, and bandstands. 

Research focuses on the relationship between art and industry, highlighting the role of designers, engravers, ironworkers, and printers who contributed to the production of the trade catalogues, and demonstrating how printed materials were used to promote ironware across the globe at a time when ‘marketing’ was a developing field.

The project is a Collaborative Doctoral Award (CDA), meaning that public engagement work with the Ironbridge Gorge Museums Trust is a key outcome of the project. This will involve events, demonstration activity, and a display within the Museum of Iron.

Roseanna has professional experience in the heritage and higher education sectors spanning object conservation, curating, marketing, and events. She has long-standing interest in commercial art and printed ephemera, completing her MA in Art History and Curating at the University of Birmingham, where her thesis focused on interwar period railway posters.



Research Area

  • Design
  • Design History, Theory and Practice

Publications

‘The Iron Age of Home Furnishings: The Coalbrookdale Company in the Context of Victorian Interior Design’ in Midland History, Midland Metals special edition (Peter Laing, 2025).

Conferences

Jun 2026: Print Networks conference 'Print, Printing and Industrial Heritage', Kresen Kernow (Cornish Archives), Redruth, speaker.
Apr 2026: Centre for Printing History & Culture Conference, Birmingham School of Art, co-organiser and speaker.
Apr 2025: Centre for Printing History & Culture 10th Anniversary Conference, Birmingham School of Art, co-organiser and speaker.
Jan 2025: Inside//Out PGR conference, Birmingham City University, speaker.

Jun 2024: Print Networks conference 'Unfinished Business: Progress, Stasis and New Directions in the study of the Book Trade since Peter Isaac', University of Newcastle, speaker.
Oct 2024: Midlands4Cities PGR Research Festival, Birmingham, presenter of a research poster.
Jan 2024: Inside//Out PGR conference, BCU, co-organiser and co-convenor.


Public Engagement & Impact

As part of my collaboration with The Ironbridge Gorge Museum Trust, I have undertaken public engagement activities to share the love of print-making with the public. This has included:

  • Volunteering in the Victorian print shop at Blists Hill Victorian Village
  • Running workshops on intaglio print-making as part of Heritage Open Days

Other Research Interests

General themes of my research interests are:

  • Printing history, ephemera studies and the jobbing printing
  • Art and craft for commercial purposes, and how it is understood
  • The history of marketing and advertising
More specifically, themes of my current research include:
  • The nineteenth century printing trade, with a focus on wood-engraving, electrotypes, early photographic technologies, and the trade outside of London.
  • How the Coalbrookdale Collection represents intersections and tensions between ‘art’ and ‘industry’ in the nineteenth century, not just in the content of the catalogues and printing blocks but also their production and materiality as functional objects.
  • The history of marketing and its relation to mass production and mass communication in Victorian Britain.



Memberships

Executive Board member of the Centre for Printing History and Culture, a research cluster and joint initiative between Birmingham City University and the University of Birmingham.